Award-winning Architects in Steeple Claydon

There is a house on Rhenold's Close in Steeple Claydon with a cruck frame that has been dated, through dendrochronology, to a tree felled in 1431. Nearly six hundred years later, that timber is still doing its job. It is an extraordinary thing to stand inside a building and know that the structure holding the roof over your head was growing in a forest before the Wars of the Roses, and it tells you something important about what building well actually means. Steeple Claydon is a village that has always built from what lay beneath its feet — Oxford Clay turned into brick at the nearby Calvert works, timber cut from local woodland, stone rubble shaped into the walls of St Michael's Church in the fourteenth century. The materials change as you walk through the village, from the thatched seventeenth-century cottages along the older lanes to the brick and tile of later centuries, but the principle stays the same: use what is here, build it to last, and let the next generation add their chapter.

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Nearly Twenty Years of Designing Homes That Last

I founded Gresford Architects in London in 2006, and we are now based in Oxford, working with clients across the country. We are RIBA Chartered and ARB registered — qualifications that reflect both the technical rigour and the ethical standards the profession demands. Our work sits at the point where sustainability meets craft: we are members of the Passivhaus Trust and The Green Register, and I am a member of SPAB, the Society for the Protection of Ancient Buildings, which has shaped the way we think about older structures. In 2018 our Passivhaus home in Hertfordshire, The Deerings, won a RIBA East Award, and I was a finalist for Sustainability Architect of the Year at the Building Design Awards. Our projects have been published in Dezeen, Grand Designs Magazine and The Modern House Journal. In 2025 I served as a judge at the British Homes Awards — a role that sharpened my eye for what separates good residential architecture from merely competent building.

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Architecture for a Village Built on Clay

Extension Design is often the most practical way to transform a home in Steeple Claydon. Buckinghamshire Council handles planning here, and the village carries its history lightly — there is no formal conservation area, but over twenty listed buildings line its older streets, and the earthworks of the medieval settlement are still visible north of the village and around Manor Farm. That layering of old and new, of thatched cottages alongside twentieth-century housing, is what gives Steeple Claydon its particular character, and any new work has to hold its own alongside buildings that have been standing for centuries without trying to imitate them. The village's housing stock spans several centuries, from the seventeenth-century timber-framed and brick cottages in the older core to the more recent developments on the village edges. For older properties, an extension needs to read the existing building carefully — its materials, its proportions, the way it meets the ground — and then respond with something that is clearly of its own time while sitting comfortably alongside what is already there. For later housing, the opportunity is often about daylight and connection: opening a kitchen to a garden, creating a room that works with the seasons rather than against them. Getting the material palette right matters in a village where brick has been the dominant building material for centuries, drawn from the Oxford Clay that underlies this part of Buckinghamshire.

New Build Design takes on a particular significance in Steeple Claydon right now. The village sits close to some of the largest infrastructure projects in the country — HS2 and the East West Rail route both pass through the surrounding landscape — and that kind of change brings both pressure and possibility. New homes in a village like this need to do more than fill a plot; they need to contribute to the place, to feel as though they belong to this specific piece of ground rather than to a pattern book. We approach each new build as a response to its site, its orientation, its relationship to neighbours and to the landscape beyond.

For Steeple Claydon, where buildings have stood for centuries by virtue of quality materials and careful maintenance, sustainable design is not a new idea — it is a return to first principles. Buildings that are comfortable, designed to last, and use energy and materials efficiently: that is how the village was built before, and it remains the standard we bring to every project. PassivHaus Design achieves exceptionally low energy demand through continuous insulation, precision airtightness and thermal bridge elimination. For Steeple Claydon's older buildings — seventeenth-century cottages with solid brick walls and lime mortar that need to breathe — EnerPHit offers a certified pathway that upgrades the interior to modern comfort without changing the village streetscape. The trick is understanding what makes these buildings resilient: their material honesty, their generous proportions, their relationship to the ground. A retrofit that respects those qualities will outlast one that simply chases numbers. Renovations, more broadly, are about understanding what a building already does well and building on it. The cruck frame on Rhenold's Close has survived because someone, at every stage, understood the structure well enough to maintain it without undermining it. That is the approach we bring to every older building we work on.

For those with sites in the wider countryside around Steeple Claydon, Paragraph 84 of the National Planning Policy Framework provides a route for exceptional homes in rural locations — where the quality of the architecture itself justifies the development. It is a demanding standard, but it rewards ambition and genuine design thinking.

For nearly a thousand years, Steeple Claydon has been building from what lay beneath its feet — Oxford Clay turned to brick at Calvert, timber from local woodland, stone rubble shaped into walls that have outlasted empires. The cruck frame on Rhenold's Close still stands. If you have a project here, whether an extension, a renovation, or something new, we would welcome the chance to help you continue that tradition of building well.

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